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 Message Posté le: Sam 1 Juil - 08:54 (2017)    Sujet du message: A Film History Of Chinese Minorities
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A Film History of Chinese Minorities is a chronological study of the history of films related to Chinese Minorities, from the period of 1927 through 2010. It focuses on many aspects of films in this time period, such as: their themes, cinematic story-telling styles, ideological impact, and their commercialization and globalization. It also attempts to provide definitions, and explore the areas of female imagery, features of TV films, film-making strategies, and more. The author divides the history into seven stages. The first stage begins in 1927, the year when Mulan-the first film related to the theme of Chinese Minorities-was produced, and ends in 1949, the year when the People's Republic of China was founded. The second stage lasts from 1949 to 1955, featuring The Victory of the People of Inner Mongolia as the first Chinese Minority themed film. The policy of "letting a hundred flowers blossom and a hundred schools of thought contend" heralds the third stage (1956-1959). The fourth stage (1960-1976) is considered a period of twists and turns. The film-making of this time period is compared to "dancing with shackles on" due to its stagnation arising from the outbreak of the Cultural Revolution from 1966 to 1976. The fifth stage is from 1977 to 1989, which witnesses the revival of Chinese Minority film-making that came with the reform and opening up policy promulgated in 1978. The sixth stage (1990-1999) is viewed as the transition phase, in which the economic restructuring has an impact on film-making. The seventh stage, from 2000 to 2010, is featured by a boom of the market-driven Chinese Minority film industry. [Subject: Film History, Chinese Studies, Asian Studies]

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KinemaGreat care has been taken to provide solid culturalThese films were noted for their emphasis on class struggle and external threats (i.ebox office for two weeks, making enough in the U.SEarly Communist era[edit]The 1930s, considered the first "golden period" of Chinese cinema, saw the advent of the Leftist cinematic movement and the dispute between Nationalists and Communists was reflected in the films producedWith the communist revolution in China in 1949, the government saw motion pictures as an important mass production art form and tool for propagandaKyrgyzstanA Companion to Chinese Cinemav t e Chinaarticles History China timeline Ancient China (outline) (2070221 BC) Republic of China (191249) People's Republic of China 194976 197689 19892002 Since 2002 Years in the People's Republic of China Geography Natural environment Overviews Extreme points Geology Natural disasters Regions East Northeast North South Central Central South Western Northwest Southwest Terrain Bays Canyons Caves Deserts Grasslands Hills Islands Mountains ranges passes Peninsulas Northeast/ North/ Central Plains Valleys Volcanoes Water Canals Lakes Rivers Waterfalls Wetlands Water resources Seas Bohai Yellow East China South China Reserves Protected areas National parks Nature reserves UNESCO Biosphere Reserves Wildlife Fauna Flora Government Politics Economy Government and politics Civil service Constitution Elections Environmental policy Foreign relations Military (People's Liberation Army) National People's Congress Standing Committee National security Political parties and movements Communist Party General Secretary Politburo Democratic Parties Anti-democratisation Pro-democratisation President Vice President State Council Premier Vice Premier Administrative divisions Baseline islands Border crossings Cities Province-level subdivisions Law Judicial system Human rights LGBT Law enforcement Nationality law Penal system Economy Agriculture Banking Central bank Economic history Energy Petroleum industry Renewable energy Finance system Foreign aid received Foreign aid program Historical GDP International rankings Poverty Reform Renminbi (currency) Science and technology history Special Economic Zones (SEZs) Standard of living Telecommunications Tourism Transport airports ports and harbors People Society Culture People Demographics Emigration Ethnic groups Internal migration Statistics Urbanization Society Anthem Chinese Dream Corruption Crime Emblem Education universities Flag "Generation Y" Harmonious Socialist Society HIV/AIDS Intellectualism Languages Poverty Public health food safety incidents Public holidays Rural life Sexuality Socialism with Chinese characteristics Social issues Social relations Social structure Social welfare Suicide Terrorism Time zones Urban life Water supply and sanitation Women Xiaokang (middle-class) Primary stage of socialism Culture Archaeology Archives Art Cinema Cuisine Dance Gardens Libraries Literature Martial arts Media newspapers radio television Music Parks Philosophy Religion Smoking Sports Tea culture Tourism Variety arts World Heritage Sites Xia Shang Zhou Qin Han 3 Kingdoms Jn / 16 Kingdoms NNorwayBelgiumRetrieved October 9, 2015^ "Welcome to the Hong Kong Film Awards"MalawiSenses of CinemaRetrieved 14 February 2014"China Box Office Grows Astonishing 49 Percent in 2015, Hits $6.78 Billion"LuxembourgTop&gtEnglish BooksFilm Business AsiaThese films came with a new style of shooting as well, directors utilized extensive color and long shotsInternational Business TimesAruba"Main melody" films, which often depict past military engagements or are biopics of first-generation CCP leaders, have won several Best Picture prizes at the Golden Rooster Awards.[51] Some of the more famous "main melody" dramas include the ten-hour epic Decisive Engagement (, 1991), directed by Cai Jiawei, Yang Guangyuan and Wei Lian; The Opium War (1997), directed by Xie Jin; and The Founding of a Republic (2009), directed by Han Sanping and Fifth Generation director Huang Jianxin.[52]Feature film production came almost to a standstill in the early years from 1967 to 1972Uruguay 2ffeafca65

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